Showing posts with label Close and Faraway. Show all posts
Showing posts with label Close and Faraway. Show all posts

Wednesday, 20 July 2011

Close and Faraway music update and other things.

My new hobby is sitting outside,
Coffee in one hand,
Smoke in the other,
And a book of poetry,
In my lap.

Today's favourites:
The Highwayman by Alfred Noyes
If by Rudyard Kipling
Snake by D. H. Lawrence

I went to open mic at The Free Hetherington yesterday and read some out and the we had a massive jam session it was really fun.

Today I've mostly been playing piano and composing for Close and Faraway.

The Bollero is sounding freaking awesome and really enjoying playing an arrangement for piano, it's got a tricky cross rhythm running through it which looks a bit like this:

So it's a bit tricky to play at first on the piano, but you get used to it!



I'm also very happy with how the (perhaps provisionally titled) "Omega's Theme" is going, the harmony in it is very sophisticated an I've learned a lot about making strange chord sequences work doing it so I'm delighted.


I was speaking to Rowan (our oboe player) about the music on fb and sent her some midi, she's been very encouraging. A clarinet has been added to the ensemble thanks to my friend Linzi, at first I was reluctant (more instruments = more work) but it's actually really helping me along I'm finding it really useful.

Stewart also broke some news about funding and venues for previews but I'm not sure how much I'm at liberty to blog yet :-)

Sweet dreams,

Antony

Friday, 8 July 2011

Close and Faraway meeting

So I met with Stewart Marshall to discuss the music for Close and Faraway and some suggestions on refining the script.

Things are going well and I have some decent guidelines to work within for bringing the score together in a way that follows the progression of the script. Where things come in, where they come out, what kind of meshing of themes would work, where variations on themes could go. It's nice to have a frame work it makes things a lot easier.

Attune Theatre will be performing a new short as part of Seeds of Thought at the CCA tonight, from 7:30. Come along and check it out.

Stewart has been in meetings with various venues regarding preview events for Close and Faraway and organisations regarding receiving some funding, all very exciting.

Monday, 4 July 2011

Music for Close and Faraway update

This weekend I have been working here and there for the music for Close and Faraway, I now have a number of pieces in varying degrees of completion:

- Genesis
- Further Away (Underscore for Alpha's First Monologue) / Alpha's Theme
- Omega's Theme
- Omicron's Theme
- Epsilon's Theme (and variations)
- Omicron's Theme
- Bollero
- Revelations

Wednesday, 8 June 2011

Blogging and "Fish and Moose"

I have this new blog so I guess I should do what blogs are for and blog
I just don't think I'm as pretentious as I was when I got livejournal as a teenager, I always seemed to have something I at least thought was very insightful to write back then.


So I've been a busy little bee

Monday Stuart came over to talk about Close and Faraway the play I am composing music for, and hear what I'd got so far which is a few melodic themes with accompaniment and variations thereupon XP more work soon.

Tuesday night I went out to a creative writing open mic during the West End Festival at Partick Library and heard some people read out poems and bits of prose. I also read out The Pragmatist and recited A Musical Poem which inspired me to post those up here, as well as a couple of other bits and pieces you can check out if it pleases you:

Heart of Matters
The Pioneer
Nympholepsy 

Afterwards Finn came over to work on Fish and Moose which is a sitcom-esque play we started writing maybe a year ago (which is now looking more like a screen play.) FIND OUT ABOUT IT BY CLICKING HERE. The interesing thing about this piece of writing is it started out life as an extensive list of jokes that we had coined over the course of several nights out. Us having a few different strands to our senses of humour, characters began emerging through the jokes as you could think "well that line could be said by the same person that said that line" ...and then storyline started to weave itself around the development characters. It has shown out to be a really cool, interesting and original way of writing, consistently funny, with some very unexpected results regarding the depths of some of the characters. Lots of happy coinicdences and subtext that was coined without preconception.

Today I'm off to Jonos to complete editations on the new Illich sketches, so hope I can post the new one up in the next day or two.